Art of Fighting 2

A BLAST TO LAST






Art of Fighting 2 remains memorable as one of the most difficult single player experiences you have ever encountered, this though takes nothing away from the sheer enjoyment the piece brings to the table nevertheless. This here 1994 sequel to SNK's highly successful Art of Fighting emerges in arcades as a bigger, meaner and even more colorful statement than its predecessor, giving you the fortunate opportunity to select every character in the story mode, even better: in the long run you may have the chance to face off against Geese Howard, the single Baddestest Dudette the Planet Ever Seen - right after Fedor Emelianenko, of course. With Art of Fighting 2, SNK accounts and delivers all possible standards the era- and even contemporary consensus demands from a quality 2D Fighter experience, resulting in an exceptional title that has the considerable amount of 0 intention to conceal the fact that it absolutely hates, hates, HATES your guts.

Enjoy and Read on!




In its rhythmic buildup and inherent core gameplay mechanics, Art of Fighting 2 remains true to its direct originator, though introducing mild adjustments to deliver a controller scheme which feels more sober than the method the first installment relied on. Previously you needed to "buffer in" either a punch or a kick to invoke their respective stronger variants with the third button, in fact, the same button you used to utilize Throws when your puny rival was at nose distance. While this method is still present in the game, its relevancy have been wisely, and greatly reduced: the form of attack - punch or kick - you buffer in will be invoked by the third button, yet, this buffered variant will always be the weak maneuver, giving you the delicate hint that the third button is now intended to be regarded/used primarily as the Throw command. Though, as we will see, it also is a modifier button that gives you access to two extra basic maneuvers.

As far as the different attack variants go, now all you need to do is to tap the two primal attack buttons either in a rapid fashion to introduce quick, yet relatively weak flurries composed of - amazingly enough - relatively weak punches or kicks, or you can simply choose to tap the button once: now you can see what those flurries are exactly composed of. Pressing and holding the buttons for a split second results in a Strong attack upon the release of the button, though. In reality, the "press-requirement" for the weak attacks are so tiny and supersensitive that it is likely that you will perform Strong attacks for most of the time, yet, this is not the most unfortunate circumstance that is about to haunt you during your stay on this planet, generally speaking.

Modifiers are easy and intuitive to grasp, also, quite similar to the system you have seen in the first installment: offer your Basic attacks simultaneously with the third button, and you will gain access to the particularly useful Uppercut- and Low kick maneuvers.



The Spirit Gauge was one of most famous feature of the original game, surely, it reigns here again without any radical modifications, saved the fact that now it replenishes with time. For those dear cosmo-and ufonaut visitors of Mamereview whom are not yet familiar with the system, I do deliver the following information with keen readiness that the Art of Fighting method consumes your Spirit Gauge each time you throw a Special move, and OH!, you WILL throw those Specials, because you are going to NEED them: BAAAAD, trust me on these delicate assumptions.

The Spirit Gauge with its new replenishment ability is a nice tactical adjustment, and here is why: in AoF1, it was entirely your responsibility to use up your Spirit AND to replenish it by meditating. You can do the same thing here as well: remain still for some moments while making sure that you place the weight of every single atom in your magnificent body on either of the attack buttons. Then your chosen character will meditate to regain her/his considerable potential. Cool design. Notice this, though: now it is partly your opponent's responsibility if you manage to catch her/him with Specials all the time, because either she/he lets you walk around with Spirit energy intact, missing out on the opportunities by which your Spirit Gauge could and - frankly - SHOULD be molested via ruthless, relentless efficiency for the sake of good old frustration, personal enlightenment and closely/scarcely related fighting - OR! - it might be so that your rival is simply unable, or unwilling to interrupt your meditation. Let us notice nevertheless that this new Spirit Gauge is way more sensitive to the actual events that the round greets on the screen.

Taunting is still present and still works in a perfectly funny and trusty method: be aware that you are effectively helpless when you choose to taunt your opponent - a brief moment, yet a significant moment it is indeed, the experienced player is capable to capitalize on your cockyness in the blink of an eye. Naturally, it is never a good idea to offer your mockery lines from close quarters, instead move out of reach and state your verdict from the Safe Distance.



THIS particular taunt was NOT directed from Safe Distance.

While blocking is very traditional, - just move away from your rival - the game sports a rather nice subsystem that lets you escape a semi-successful Throw attempt if you manage to give in the exact command in the exact time while airborne. This way, you will do what cats do best. Art of Fighting 2 comes with Desperation Specials: these are neat combos that do have the tendency to knock your opponent's butt off if they do connect and - logically - fully commence, yet there is the rigorous trade off: you must be very low on Life to rely on them, even more: it is not necessarily worth trying to go for the Desperation Special once a chunk of your Spirit is missing. Generally, it seems safe to say that you want to attempt the Desperation with a full, nice and clean Spirit Gauge.



Art of Fighting 2 comes with nifty Specials and a flamboyant character roster, with the majority of the protagonists being transported- and now freshly implemented from the original effort. There are some nice secrets available in the game which are not even too hard to stumble upon, like the availability of Mr. Big as a playable character - he even has an Endsequence - granted you fulfill one particular condition. Normally, it is still Mr. Big whom you do the Final Battle against, yet, in reality, there is someone even meaner on the secretive scrutinize process out there. Indeed, as hinted in the intro section, Geese Howard from Fatal Fury is featured in the output as True Final Boss, what is more interesting: you will see a younger version of him. Man, this dudette is a fervent S.O.B. to say the least. To reach Geese, you need to dismantle the entire character roster without any rounds going to any of your rivals - that is the steep requirement to gain Geese's interest and making yourself able to face off against him.



Hey, THAT'S a Start!

Art of Fighint 2 is a notoriously hard game when played against the CPU, yet, fortunately enough, the pace and appeal of the piece weighs in strong enough to keep you both extremely busy and interested finding out the proper techniques and means to overcome your adversaries. The game generally: despises you. I have the intact impression - oxymoron? - that the system even cheats sometimes, meaning it hardly takes away anything from your rival's health once you think that you scored big time, while it punishes your butt in a radical manner once YOUR sitorgan gets casually constructed into the pavement.

Time is very well implemented in Art of Fighting 2. This is among the few 2D Fighters I have encountered so far that have a delicate relation to- and dependency on the period that is about to left yet from a given round, inviting/forcing you to adjust your tactics according to your rival's and your own Life bar, as, naturally, the character with the longer bar goes away with the win in a round once the timer stops. Surely, this is perfectly legit stuff, yet the effective pace does have a symbiotic, sane relation to the time that is offered for battle during a given round.

It is especially notable against Geese, for example: the dude is so rampantly aggressive and deals so immense damage that you are sort of OK with stealing punches on his hive to gain the upper hand, then you would surely prefer to stay away from him until the time counts out - escaping from him and offering moments of counter-resistance between the stalk periods he haunts you with is essential part of doing battle against him, AND against the clock. One mistake, and you will find how crude is the meaning of this here saying:

You Are All Over The Place.

As a strong, intact SNK effort to solidify the Art of Fighting franchise, this here second installment remains true to its originator and recognizes its primal appeals via sober understanding and fresh inventiveness. As one of the more serious CPU challenges you can get your hands on and as timeless of a 2D multiplayer collider as you have ever seen, Art of Fighting 2 still delivers its eternal grin to you, and let me tell you that THIS particular grin still looks quite intense and still is perfectly aware of what you are longing for.



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Fatal Fury 2

SECOND F(r)IGHT






The second Fatal Fury statement is your Direct-To Rivalry Market effort to put up reinforced commercial struggles against Capcom's Street Fighter II, the dominant power in arcades that the first Fatal Fury game could not convincingly compete against. With this here second installment of the Fatal Fury series, SNK changed its strategy significantly, pretty much offering a decent SF2 clone that has keen readiness to introduce some extra pleasantries atop its rigorous dominator.

Enjoy and Read on!




As hinted, Fatal Fury 2 refuses to thread further along the path it started to solidify on via the first output, instead it goes for the SF2 appeals up to the point that there are Specials present in the game invokable as you would play with Capcom's dominant title, even results are identical. A good example is Kim Kaphwan's Flying Swallow Slice, this is the exact trick Guile from SF2 is famous of. Thus, though it would be utterly incorrect to suggest that Fatal Fury 2 would lack its own tastes and unique attributes, this doesn't keep the output from claiming radical liberty, re-introducing solutions offered- and popularized by its inspirator.

This re-introduction of certain, though focal SF2 elements is a very smart move from SNK when you start to think about it, and here is why: SNK copies portions off of Capcom games in a deliberately shameless fashion. What would be Capcom's likely reaction to this? Can they give an answer of sobriety at all? SNK assumes its adversary to follow this particular train of thought:

They Stole From US, So We Shall Start Stealing From THEM, Too!

SNK clearly, cleverly provokes the arcade giant Capcom to do so, inviting the firm to start copying elements the smaller company invented. The moment Capcom falls in for this trick and starts to re-introduce solutions- and features you have seen in previous SNK games, IS the same moment in which Capcom admits that it considers SNK a now-bitter rival and an adversary worth learning from. Something that SNK admitted of Capcom already via copying elements. Now, would you return this "favor" and admit that you are in a serious struggle, or would you move on and redefine the genre once again on-and with- your own fresh inventions?



- WHAT are you DOING here??
- I am TRULY BAD at Philosophy.

The game is set in the same fictional universe as Art of Fighting, though the aforementioned title - AoF, that is - tells of events that took place a decade prior the start-off developments of the Fatal Fury series. The game brings in the magic numbers SF2 relies on. You have eight playable characters, some of them are the original fighters from the first installment, while the others - amazingly enough - are fresh additions. The magic numbers prove to be persistent, as usual, (not to mention that there are NO numbers that are NOT magical) thus Fatal Fury 2 brings you four Boss characters to collide with once you have proved yourself against the playable protagonists.

Let us notice how a development of the future unfolds silently by this point: Capcom will indeed set a foot in front of SNK with Street Fighter II Champion Edition, a title that lets you play as any of SF2's four Bosses. Whether SNK will have a reply to this, remains a question to be answered at a later occasion.

The button layout is a little bit funky on this one when played on MAME - nothing too serious, just a mild mixture here that might claim some time to get used to. Basically, you will find a Kick where you would anticipate a punch and vica versa. The game has two kinds of strikes and two kinds of kicks, while simultaneous pressing of those AND respective directions do give a wide palette of executable Basic and Command moves to the fray. You can even perform Strong Attacks by invoking the Stronger variants of your offensive maneuvers together, this results in a third Basic attack that knocks the enemy to the different Plane than the one you kicked her/his sitorgan on. As you might have guessed already: the Plane system is presented- and offered once again.



Basic attacks and maneuvers are dependent on the Plane system, the trademark delivery this effort kept from its predecessor. The method still gives you two spatial setups to play on: as in the original Fatal Fury, you have a Front Plane and a Back Plane, thus, if your character is on a certain Plane, then certain Basic and Command moves are accessible, while others are not. This method weighs in as a decent minigame to entertain the eyes and the hands, even better, it still remains a reliable way to escape temporarily and re-plan your opposition during this period. All these features were already accessible in the first episode, yet now the Plane method sports an increased tactical potential, giving you the green light to Charge across different Planes. You have respective "Cross-Charge" movements against your rival's respective body sections, thus Fatal Fury 2 certainly delivers fresh sensations as far as the core gameplay mechanics are concerned. And let me tell you this: those are heavily concerned once MAME Review rampantly emerges to ruthlessly scrutinize.

There are maps you won't find a second Plane on, though you will find obstacles on such backgrounds. Maneuvers that will knock your opponent to the opposite plane will drive her/him unto an obstacle on single plane maps.

Fatal Fury 2 lets you interconnect certain Basic- and even Special attack moves to form quasi-combos. These maneuvers can be interrupted any time by blocking the attack, thus, these are not exactly combos in the classic sense of the word, but they are very useful both to pressurize your rival, let alone how happy you will end up as if the quasi-combo quasi: lands, right?

The primal additions you will be shocked by considerably are the Desperation Moves. Especially when I tell you that those additions are present in the game. These Specials are only accessible once your Life reaches its Critical point, an occasion the flashing Lifebar will inform you of.
While Specials are rather straightforward to pull off, the game also makes a versatile use of the mere contexts the game might have to count with. I realize it may have sounded a little bit weird, so let us pick an example for such a context: the game inspects if- and when a character is under attack, and encourages you to do the same - you have Counter moves especially designed to punish an unsuccessful attack, while your Strong Punch will be a Taunt if you perform it while standing far away from the enemy. Taunt does not seem to have any relevant effect beyond the animations though, unfortunately.



Fatal Fury 2 is also among those rare 2D Fighters that let you crawl forward in an utterly inept ducking position, though this may prove useful against certain projectile attacks - just don't believe it will.

The output suffers but from a couple of minor flaws, even those are of presentational nature. Like - highly subjective - inconsistency in the impact certain backgrounds will likely have on you, as some of those are totally neat, while some look - surely, it is highly subjective - somewhat crude, not-particularly cared for, even rudimentary, in my opinion. My personal favorite is the Parallax Swamp on Joe's stage.

Now, if THIS is not a WTF, then TELL ME, what a WTF is.

Apart from this, or, even better: with THIS included, the game emits considerable charm and sports quite a few fresh elements to weigh in as a more successful effort than its predecessor, especially once their mutual primal agenda of rivaling the Street Fighter franchise reveals in its alarming persistence. SNK took a reliable and solid step with Fatal Fury 2 that remains an easy, safe retro recommendation to date.



- YER turn ...



- ME turn...

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Street Fighter II Champion Edition

BOSSCOLLIDER






Street Fighter II is among those games that do have a zillion variants, each possessing though significant additions, extras and elements of subtlety when compared to their respective direct predecessors. The primal consensus complaint concerning the original Street Fighter II - Street Fighter II - The World Warrior was an inaccessible Boss roster. Surely, you could do battle against the four trademark Supreme Mean Duders of the output, yet you could not help but long for the possibility to make THEM roll against each other. This here Champion Edition from 1992 is the first massive SF2 delivery to offer significant extras over the originator, characterized mainly by the selectable Boss roster and the natural excitement this mere circumstance imbues the effort with.

Enjoy and Read on!




It is no stock wonder, neither a puzzling occurrence of an ever-lasting mass hypnosis that Capcom's game characterizes the 2D Fighter genre with a granite fist. The SF2 system offers extremely well balanced gameplay mechanics that heavily relies on sobriety and related awareness of the opponent's strengths and weaknesses - traits you need to rigorously consider in spite of your chosen warrior, as well. The output seemingly introduces a quite unorthodox controlling scheme, giving you three types of punches and kicks. A rather rich basic arsenal, naturally available for all participants. These elementary maneuvers are categorized by their effectiveness: you got Weak, Medium and Strong assaults both in the punch and the kick class, a method that delivers more serious punishment when the fierce assaults are invoked, yet those demand more time to execute, thus having an increased risk factor to utilize. Weak and Medium maneuvers claim less time and related animation frames to complete, but those deal significantly less damage factor on contact.



The Street Fighter II system heavily relies on the Charge method to invoke the nifty Specials. The Charge solution is quite intuitive: you need to push towards a certain direction, then you are to hastily unleash the appropriate combination to introduce the intended maneuver. It is quite easy to thoroughly familiarize yourself with this fluent structure, as I can not think of any other directions for the required Charge maneuvers than the Back and Down perspectives. Thus, the majority of these Charge Specials do concern a certain Charge motion and a combined button smash of either the Forward or Up direction, supported by an attack button. It doesn't matter which of the available three attack buttons per- assault type you give in, what is important though is to rely on the appropriate class. Confused already? Either way, let me deliver an example: Chun Li's crazy ass Helicopter Kick requires you to Charge towards the Down direction, then you are good to set it off via giving in Up combined with either Kick you prefer, OR happen to find during the execution period. Be sure to notice Chun Li's legs. Good skies, those are some slightly serious calves, wouldn't you agree?



- PUNK!!

The game surely knows and offers Specials utilized by the common, comfy solutions of giving in quarter- and half circles as well, with an extra Special of the Russian Wrestler Phenomena Zangief, who possesses the most brutal move in the game, though executable only by a full circle motion. This Amazing Spinning Pile Driver That Crushes Puny Non-Comrade Skulls To Strawberry Jelly is a moderate PITA to pull off, yet the resultant effects are absolutely worth chasing, going and practicing for. As a general rule, it seems to be a good idea to start your whole circle in the air, thus you can greet the opponent by finishing the move off when you land beside her/him.

!EXTRA! Mamereview offers scientific scrutinization of the arcade game picked by the first person who finds out what PITA is standing for.!EXTRA!

As hinted, the game gives you nice Throws as well. You absolutely must love those maneuvers, in my opinion. Guile's Greco Roman Suplex is a retina stigma you'll stuck around for an eternity if you ever saw that, surpassed only by the Real Deal Thing demonstrated by Dan "The Beast" Severn in THIS particular video. As natural, Throws occur by the comfy, traditional way: you want to approach your opponent for a rigorous nose rivalry, then you are free to deliver the Throw by giving in the Forward direction, combined with a Punch button. Even better: most characters know different kinds of Throws, invokable by - amazingly 'nuff - different punch buttons.

Interestingly, the core Street Fighter II system and this heavily related direct proprietor of it are based on a rather straightforward structure which does not (YET) exhibit all that much supportive gauges and elements you need to be aware of. It exhibits a ZERO, even SIRO number of those, to be specific. All this resultant clarity though definitely does not weigh in as a hindrance, quite the contrary: a simple, yet flamboyant system you witness and invited to play with that urges you to focus on one particular bar, yet THAT bar is a quite rigorous, precise representation of - to put it simply, yet, quite frankly - what is up.



- GRAAAAAAGROOOOOOAAAAAGGHAA!
- YEAH! I'll NEVER question YOU, Duder!

This immense straightforwardness that characterizes the output in the most essential way a human mind is currently capable to conceive lefts a reviewer in a hard position, nevertheless. This particular difficulty ensues as you can not help but recognize that the game simply begs to be played, and does not deliver anything else than strong, well balanced, simple elements to support it's eternal, solid aspiration.

Naturally you can not avoid the segment in which you absolutely must account the game's trademark character roster. These warriors are primal representatives of this robust genre, and, while pretty much all games do possess one or two characters you will keenly play with and relate to, I think it is safe to say that every single fighter the SF2 universe offers are masterpieces. Don't forget to play with them, as they will never ever grew tired or old in a good fight, and THAT -

Believe You Me.



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Street Fighter

UNDER-CONTROL






Probably only but a few would believe that the Street Fighter franchise had an actual first episode before its second, an implausible time-warp occurrence to start this phenomena of rampant arcade dominance off.

Though Capcom's 1987 effort possesses significant chance of being interpreted as a massively coarse fighting experience when examined today, - and sorry, we missed the chance of examining it yesterday, or, did we? - it actually defines trademark focal solutions that do solidify further in consecutive games. Little if any doubt is present though that future 2D Fighters are more subtle, more sophisticated and more sane than this prime originator is. I tend to think that sane is a proper word in this case indeed, as, though Street Fighter starts the fray off, rudimentary controls and limited playability make this classic both an essential retro output AND a mild pain in every sitorgan.

Enjoy and Read on!




Street Fighter gives you two characters to play as: Ryu, or Ken. Though, by default, only Ryu seems to be selectable. If you would like to play as Ken, then you need to challenge and defeat the Ryu Player. In case she/he exhibits no interest to insert coin again, then you can go on to demonstrate your Street Fighter skill set against the CPU. And a skill set, you WILL need, Young Padawan.

Street Fighter dictates a quite furious pace that forces players to develop universal defense- and attack strategies. This might include inserting keyboard/control pad into monitor for bonus fireworks and related smoke effect. Once these "specials" are properly sought out and mastered, then the game reveals its coarse charm to you. Distance from the enemy is everything in Street Fighter, the mere factor that determines which one of the furiously paced attacks will connect. It seems same 'nuff of a bet to back off from the CPU, which has a tendency to attack rampantly and constantly, so there is quite immense potential in countering.

As you will see, three, tops four attacks easily do weight a KO herein, especially if you score these hits by introducing one of the Specials the game is aware of and offers. We will see into those later. Considering the speed of the game which desperately tries to conceal the rudimentary animation, the pace of the rounds is furious. Also fast. Though rigorous distancing from the enemy is your best friend herein, that particular factor changes dramatically with all the intense jump-around the game usually exhibits. That is: either you or the enemy will jump. Ducking and relying on Specials are always better solutions then forwarding up to your opponent to deliver basic ground attacks, as speed is so senselessly swift that even Terence "Super Snooper" Hill would need TWO coins to kick the CPU's butt in pure standup. And, let me tell you that this circumstance suggest a difficulty level that requires skill levels well beyond Godlike proportions.

Worths a try though, nevertheless: check how long you can last against the CPU on the ground, if you do play a game of - khm, khm - concept and - khm, khm - strategy. As a result of the supercoarse animation and pairing speed, you won't have the chance to block upper and lower level attacks consciously. This is not what the creators anticipate from you, either. You can usually get away from those situations via attacking the lower section of your rival quite cheaply yet systematically, but, if you stand up with him - no precious creatures in this here game - then sooner or later he will bash your blob in, trust me. Let alone that there are characters in the game you do not want spend a moment against with your head kept in normal, standup-height position.



Street Fighter invites participants to jump around like crazy to soften the rival up by airborne attacks, and/or to duck and unleash low level attacks towards incoming or approaching opposition. Yet, organizing yourself to defense on the ground is a ritual to commit risk free suicide - HAH! - in this game.

Since animation is rather far from being extremely fluent, the game conceals this particular deficit with the well developed speed we already hinted at. Amazingly, Street Fighter's system is both ruthless and rudimentary enough to punish you with pretty much instant KO in case you made two mistakes in a row. Third mistake? Forget about it, as those who make a third mistake in this game, won't have much to worry about anymore. All in all, it is totally possible to be flattened out in the blink of an eye, which I think is OK and funny, yet, especially when you first play the game without prior experience of it, then the CPU can be very effective at cornering you into a rather dire situation where it spanks a Win on your butt with ease. Those are the moments you should start inventing your countering methods in, though.



As you may have guessed already via the image above, the game has bonus sequences and there is an impressive amount of enemies to batter up or to be battered by, too. If you are a Street Fighter II fan, then you will see very familiar faces apart from Ryu and Ken. If you are a HUGE Street Fighter II fan, then you surely do lie to me now as you should play SF2 this very moment.

What I find rather unfortunate about Street Fighter is the implementation of the Specials. These maneuvers are extremely circumstantial to invoke. They may seem to demonstrate a truly rhapsodic behavior, yet, in reality, it is more about the exact precision of the timing they do require. The timing of the proper directions and button push, that is. I could perform the three Street Fighter Specials of Ryu: the Dragon Punch, the Hurricane Kick, and this trademark projectile attack. I don't think he has more, though I am keen and ready to be pleasantly disappointed. In case I am wrong, please educate me and benefit other visitors, too.

Though Guides to Street Fighter seem to be as rare as pink elephants with quantum dissolving capabilities - that means: I could not find one - the Street Fighter II commands for Ryu do seem to work herein. DO SEEM, I sorrowfully cite. Remember that the required precision is truly unnecessary, so you will probably end up doing those Specials by your particular way. You know, the way it seems to work for you, for most of the time. Yet the SF2 Ryu moves are useful guides, no doubt. As for Street Fighter Ken: his capabilities and related Specials are an amazing treasury of ancient puzzles and enigmatic mysteries, eager to be thoroughly explored and subtly solved by the dear mamereview.blogspot.com visitor. Hey, ever saw a useful link before?



At the end of the day, one must admit and conclude that Street Fighter has a certain humorless, grouchy charm to it, though it is rather improbable that the game will digest your unconditioned devotion to it with keen appreciation. Which is a shame, because the game could have been - I truly do not worship "could have been"s - a rather stable, though vicious game if it would have exhibited a responsive, user friendly control method to invoke Specials, let alone the absence of a full, playable character roster. I sure do realize that the game comes from 1987, a time in which a full character roster was an implausible mental invention. Now, was it? No, it was not. As, in fact, Street Fighter delivers you a full character roster. Yet, it delivers you a character roster only to bash apart, and not as to play as its components.

With its exceptionally intense and semi-coarse flow, the game delivers massive early deficits, as balance was not yet a major consideration of a genre that just been born with this effort. Thus, as mentioned previously: sometimes it is but a blink of an eye, and someone flattens out. In a terrible world without mistakes, you would certainly say that Street Fighter manages to offer its deficits as charms, but this is not exactly the case this time around. It remains good fun to combat the CPU, but the incapacity to play as included characters is always a hurtful condition to die with. Let alone live with.



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